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Neville Marriner Amadeus(¾Æ¸¶µ¥¿ì½º-OST) |
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Harmonia Mundi WAM-1791/¼¿ï SRD1-111 |
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2LP[GF] |
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Á¦ÀÛÀÏ |
1985-04 |
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Academy of St. Martin-in-the-Fields, ³×ºô ¸¶¸®³Ê |
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1. Mozart:
Symphony No.25 in Gm, K.183; 1st mov.
±³Çâ°î
2. Pergolesi:
Stabat Mater; Quando Corpus Morietur & Amen
¼º¸ð ¾Ö»ó
3. Early 18th Century Gypsy Music
18¼¼±â ÃÊÀÇ Áý½ÃÀ½¾Ç
Bubak & Hungaricus
4. Mozart:
Serenade for Winds, K.361; 3rd mov.
°ü¾ÇÀ» À§ÇÑ ¼¼·¹³ªµ¥
5. Mozart:
The Abduction from the Seraglio, Turkish Finale
ÈıÃÀ¸·ÎºÎÅÍÀÇ À¯±«, ÅÍŰdzÀ¸·Î
6. Mozart:
Symphony No.29 in A, K.201; 1st mov.
±³Çâ°î
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1. Mozart:
Concerto for Two Pianos, K.365; 3rd mov.
2´ëÀÇ ÇǾƳ븦 À§ÇÑ ÇùÁÖ°î
Imogen Cooper & Anne Queffelec, piano
2. Mozart:
Mass in Cm, K.427, Kyrie
¹Ì»ç; ÁÖ¿© ¿ì¸®¸¦ ºÒ½ÖÈ÷ ¿©±â¼Ò¼
3. Mozart:
Symphonie Concertante, K.364; 1st mov.
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Levon Chilingirian(violin), Csaba Erdelyi(viola) |
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1. Mozart:
Piano Concerto in Eb, K.482; 3rd mov.
ÇǾƳë ÇùÁÖ°î
Ivan Moravec, piano
2. Mozart:
The Marriage of Figaro, Act III, Ecco la Marcia
ÇÇ°¡·ÎÀÇ °áÈ¥, 3¸·-ÇàÁø°î
3. Mozart:
The Marriage of Figaro, Act IV, Ah Tutti Contenti
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4. Mozart:
Don Giovanni, Act II, Commendatore scene
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1. Mozart:
Zaide; aria, Ruhe Sanft
ÀÚÀ̵¥; ¾Æ¸®¾Æ. Æò¿ÂÀÇ ÈÞ½Ä
Felicity Lott, soprano
Mozart:
Requiem, K.626
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2. Introitus (Orchestral introduction)
ÁÖ¿© Àúµé¿¡°Ô ¿µ¿øÇÑ ¾È½ÄÀ» ÁÖ¼Ò¼!
3. Dies Irae
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4. Rex Tremendae Najestatis
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5. Confutatis
ÀúÁÖ¹ÞÀº ÀÚµéÀÌ Áö¿ÁÀ¸·Î ¶³¾îÁú¶§
6. Lacrymosa
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7. Mozart:
Piano Concerto in Dm, K.466; 2nd mov.
ÇǾƳë ÇùÁÖ°î
Imogen Cooper, piano |
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C=VG+
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EX+/EX-
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7,000 70
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